** Originally published in the Calendar section of the Sunday Los Angeles Times:
On a wide but quiet strip of Vermont Avenue in South Los Angeles, in the run-down Casa Honduras dance hall, the ska kids are waiting for the next band to start.
Couples are making out in the corners of the venue, attached to a Honduran restaurant. They sport dreadlocks, Afros and spiky punk 'dos and are dressed in everything from camouflage and combat boots to Chucks and suspenders.
A sound check ensues with a band called Blanco y Negro. Once its members get going, blasting the room with a frenetic Latin-punk sound sung both in English and Spanish, the young crowd forms a circle and begins to skank. The dance has them lifting their elbows and knees rhythmically to the ska beat, rushing and pushing against one another when the music accelerates into punk or metal.
Bodies are in motion, sweating, pounding skin to skin. Though just eight miles from downtown L.A., by the sounds and faces, this could be a jam in Mexico City or Tijuana.
Ska — the Jamaican sound that expanded into a variety of rock and reggae subgenres in the United Kingdom and then the United States in the late 1970s through the '90s — is booming again in Southern California. It is experiencing a comeback after a decade of relative exile, but this time around it's influenced by ska from Latin America.
Underground shows are happening in backyards and warehouses across Southern California, with mini-scenes developing in areas such as South and southeastern Los Angeles, Orange County and the Inland Empire.
"Do you remember the swing days? This is the new era of that," said Hollywood resident Josh Morales, 24. "But it's more ska-reggae."
"It's like a combination of cumbia with ska," Morales said as the band Los Chiles Verdes began warming up for its set. "It's like Spanish rock.... I don't know. It's hard to explain."
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