
It's 2011 and the only memory I have left from the 2008 Democratic presidential primary -- in which Barack Obama was fighting a political death-match against the Clinton machine -- is Bill Clinton saying something mildly demeaning about Obama's campaign while in South Carolina.
As far as I was concerned, Obama was a darling, semi-naive pipe-dream until the very last minute.
So I was surprised when I opened a note from a writer who said she'd like me to read a book she wrote about a young gay Latina in East L.A. with a drinking problem, and set during the 2008 Democratic primary between Obama and Hillary Clinton.
Huh?
The following is an excerpt from that book, "The Voting Booth After Dark: Despicable, Embarrassing, Repulsive," by Vanessa Libertad Garcia. This is from a section called "Lament," while the speaker is on the beach drinking 40s and watching a homeless man collect trash:
I've given others money: Friends, Acquaintances, Churches, Family, Causes, Co-workers, and Other homeless people. I drink the second bottle and catch him to my left not too far away.
I call him over. "Hey you!"
He walks over. It takes him a couple of minutes. Each small step he makes, I take a long swig. I finish it. He opens his bag. I drop it in. We both hear it clank.
I ask him to sit. I ask him his name. I open the third 40.
We're both liberal. Eugene is a lot more hopeful than I. I ask him why he's homeless, of course. He responds and then I reply with a monologue about why I want to die.
Busting up. Throughout, in a series of loosely interconnected sections of prose and poetry (and even a long transcribed IM chat), the book is this wonderful mix of coy and cutting, open-hearted and bleak. It is a short book and ends without a looping resolution, yet it is an enjoyable, satisfying read. The prose sections in first-person have some real gems. Here's another:
Look at me in this mirror, my tits, breasts look great, my face is doing its job and this forty tastes so gooooooooooooooooooooooooooood. I wonder if that bi chick, with the ex-boyfriend, is going to be there tonight. Why can't we just get drunk and then I fingerfuck her and then she falls asleep in my arms all lusty and needy like Kathleen Turner in all those early films before the fun went to her face and turned her into Chandler's dad and then I leave at 6am and then I get a mcgriddle.
See what I mean?
A real voice. "The Voting Booth After Dark" also did something only good books can do: It reminds you --- or tricks you into being reminded -- of places you've been, people and crews you know, even situations that feel familiar or thought-trains you've had.
The thing also made me miss L.A. a little. The billboards. The stucco-choked windows poking out from behind sound walls on the freeways. The unpretentious yet sophisticated L.A. kids who are usually, deep down, from East of East L.A. The bars.
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